June is Pride month, but no one is proud

As a Bisexual woman, I have always loved pride month. I see it as a month full of support and camaraderie. I see that the entire world seems to be at peace. But I don’t see the pride this June. 

June has started off with hate, riots, and unnecessary death. You see some coming together in the name of Floyd, but you see others stirring the pot; using this tragedy to get out pent up anger. There’s war going on in our front yards. People are afraid to go outside. There is so much division this June, I have to ask how America got to this point. Contemplating this question, I have come to the conclusion that a lot of our problems have one central theme.

People. Don’t. Listen.

In our society, people listen to what they see on television or online. We think this gets us fully informed, but there is one problem with that. Media is greatly controlled by the majority. You hear what they want you to hear. It is biased

Instead of reading headlines, we need to start listening to personal stories. We need to start listening to the minority. People in the majority need to hear the minority’s problem.

White people need to listen to the struggles of Black people.

Straight and/or Cis people need to listen to the experiences of the LGBTQ+ community. 

Christians need to listen to the stories of other religions.

Nuro typical/able-bodied people need to listen to the hardships of people with disabilities.

Most importantly, the majority needs to acknowledge the issues of the minority and put aside their own feelings. When someone is airing their grievances, it does not mean that you have personally done something wrong. They are looking for an ally. Silently listen, and when they are done, ask how you can help, not what they can do to help you.

Fear and anger are caused by the unknown. We, the majority, need to work to make the unknown known.


Black Histories, Black Futures: What’s New at the MFA?



From January 20, 2020, to June 20, 2021, the Museum of Fine Arts in Boston, MA will be showcasing its “Black Histories, Black Futures” exhibit to the public. In the past, the MFA has displayed other historical art exhibitions, such as “The “Rococo World of Francois Boucher” in 2017, and the “Takashi Murakami: Lineage of Eccentrics” presentation, from late 2017 to mid-2018. However, the “Black Histories, Black Futures” display is different from the other intricate exhibitions of the past. For one thing, while past displays were usually showcased in the Ann and William Elfers Gallery, this upcoming exhibition will be displayed in several galleries throughout the entire museum. Additionally, this exhibit is curated by teenagers as a part of the MFA’s new partnership with local youth empowerment organizations. These curators, who are members of the youth empowerment group Becoming a Man (BAM), have worked seasonably to put together all elements of this exhibit. From conception to execution, Boston’s youth played a substantial role in the making of this project, and it’s an achievement to be celebrated. 

“Black Histories, Black Futures,” which celebrates Black histories and experiences, proudly spotlights the works of several 20th-century artists of color. While many of these artists are well-known in art culture, such as Archibald Motley and Norman Lewis, there are also several fresh faces being brought to prominence in this exhibit. Visitors and guests will be delighted by the works of Loïs Mailou Jones, an SMFA graduate; and Allan Rohan Crite, a longtime Boston resident.

According to the MFA website, this upcoming exhibit will be divided into four sections, with each section representing a different theme. The first theme, “Ubuntu: I am Because You Are”, focuses on images of leisure activities and daily community life. “Welcome to the City” takes a more intimate approach to urban scenes through both paintings and photographs, capturing the gritty beauty of the city. “Normality Facing Adversity” and “Smile in the Dark” explore the concept of being oneself, and more importantly, what that means on an intrapersonal scale. 

With a wide variety of styles, textures, artists, and mediums, “Black Histories, Black Futures” promises to bring a fresh air of electricity to the Museum of Fine Arts. The inclusion of teen curators is an additional innovative element to the exhibit, and more importantly, sheds light on the representation of youth in the arts.

Further reading: https://www.mfa.org/exhibition/black-histories-black-futures?utm_source=press&utm_medium=press-materials&utm_campaign=ex-black-histories

(Photos courtesy of Mike Tom, Public Relations Associate for the MFA)